How to Price Your Wire Jewelry
Dale here again– I receive many emails and questions through our Tip of the Day program asking questions about pricing, so I decided to address them in this article.
Please keep in mind that the following methods are not “set in stone,” as many people have their own formulas that work well for them. Rather, this is how both my personal students and I price our work. Note: none of us sell wholesale, as we are artists, not manufacturers.
Pricing is always the most difficult part of any art form, and jewelry is the hardest to determine, as there are so many ways to price. When you are making and selling jewelry in today’s economy, you may not be able to receive the compensation you fully deserve, but you should be able to survive if you price correctly for your area.
Most hobbyists (those who make pieces as a way to relax and to obtain a little extra cash) will take the price of their materials and multiply by 3. Weekend craft show warriors (who participate in shows close to home, so there is no added expense of hotels) often multiply the cost of their materials by 5. Many of my personal students will multiply their materials cost by 3 and then add a realistic hourly rate for their time, beginning at $10/hr. Please note, this time does not include any learning curve; rather, when you can make a piece without hesitation and no mistakes, that amount of time is what we charge for.
As you become more proficient with your skills, and the piece is made more quickly, then you are increasing your rate of pay per hour. Example: when beginning, an about-perfect bangle takes you 3 hours to create at $10/hr. Later, with experience, the same quality piece takes just an hour, and you have increased your rate of pay to $30/hr.
Of course, special pieces deserve special prices, such as a one-of-a-kind pendant or ring with the only stone “cut just like that,” for which you can ask whatever you like. If your one-of-a-kind piece sits in your case for a year and is well-behaved, it doesn’t eat anything, so it doesn’t matter if it sells immediately or not. If you set a special stone in a serious metal such as 14k or 18k, same scenario; I would just as soon not sell it than give it away.
To be able to sell your pieces in today’s “I want it for nothing” world, you need to get them out there. Here is the link to an article I wrote to give you ideas for sales venues: Where to Sell Your Wire Jewelry.
When displaying your work, no matter where, be sure divide your jewelry inventory into percentages of items priced according to the potential market.
For example, try having:
- 20% of your items priced from $20 and under (for example, headpin earrings or little bead rings, made with crystals or unusual gemstone beads like agates and jaspers)
- 30% priced from $48 to $25 (wrapped crystals, more elaborate earrings, regular cab pendants, etc)
- 30% priced from $85 to $48, and
- 20% priced specialty items from $90 and up.
It’s also smart to have a few designer pieces (priced wherever you want) to show just what you are capable of. Not only will these will attract higher-end customers, but also may catch the eye of gallery owners, etc.
Often, my specialty and designer pieces attract more sales because folks would really love to have one but can’t afford it at the time, so they purchase a lower priced item just so they can take a piece of my work home. I always have several of these customers return the following year, looking for me, because they are now ready for a special purchase or a custom order.
Unfortunately, there is no one, single pricing formula that will work for everyone. My advice is to test the waters to see what your potential customers are willing to pay, and go from there.
One last thing–don’t just give your pieces away! For example, someone attempts to convince you that the bracelet you have invested $30 worth of materials and 2 hours of your time in is not worth more than $35, and that you need to sell it to them! Don’t listen to that. Personally, I have had to remove items and put them in my pocket to end an occasional situation such as this.
Remember, Inspiration comes from every Where and every Thing!
-Dale/Cgr
Dale Cougar Armstrong, how to sell jewelry, jewelry making, jewelry marketing, pricing handmade jewelry, pricing wire jewelry
Filed under:FAQ‚ Sales, Marketing, Shows, & Display‚ Selling Your Wire Jewelry‚ Wire-Sculpture Articles
Like this post? Subscribe to my RSS feed and get loads more!







Blog
Twitter
Facebook
Thank you for such a great article – and for remembering to add not to give away our pieces. If too many designers decide their pieces aren’t worth much, it adds t a prevalent thought into buyers’ minds that ALL work isn’t worth much. Don’t get discouraged if your pieces aren’t selling and you are quite sure your prices are reasonable – just keep trying to find your niche audience!
Jewelry artists are the best bunch in the world, and I’m privileged to count myself among you!
Hello Dale, I get and read the daily tips from you, and this one was right on time, as I am always queasy about pricing. Your words give me the courage to stand my ground! Thank you so much!!!
Hi Dale,
Thankyou for your tips on Sales. I have been placing jewellery in a shop front and 2 galleries for some years on commission. I have learnt from experience and also taking into account the area/suburb you are marketing to. I have no idea of the what percentage of stock is in the ranges you suggested, but I do agree that you need to have stock that is priced and available in the $20 range and graduating upwards with more upmarket jewellery and designs. While people admire my wire work its not a huge part of my sales as I find at present, in Australia there is not maybe the appreciation of the art. I have completed 2 courses – one with a professional who studied the art of wire wrapping in U.S.A.
Oh! and I love your book “Wire Work” so many inspirational ideas.
Thanks for sending the disc, only just arrived, havent had time to look at it yet.
Regards Lynne
Thank You for the great tips! I agree with the not selling yourself short. Jewelry is not exactly easy and as such should not be “given” away.
Also, I second the opinion that Jewelry artists Rock!!
Thank You!
Thanks for the daily tips you guys have been providing. They sure encourage a lot of us. In deed, pricing wire pieces has been a major concern of most jewlry artists especially now that some do not appreciate the worth of their creation. As much as we should not over price, we also should not throw them away! Your article on this is absolutely instructive. Once again, thanks for the useful tips.
Dale, thank you so much for this post. Helped me to know I was on the right track for my pricing, esp. my hourly rate.
Thanks for taking the time to write this article. Pricing just drives me nuts as typically the customer has no idea how long it took to learn, and sometimes (a lot of times) how long to make, and everything else involved in the whole process. Your formula sounds perfect, but where I get stuck is with gallery pricing, needing to be able to make money for both myself & the gallery, yet keeping it affordable.
Thanks again for the input!
sue
Dale,
I just found this article. I own an LBS and one of the most common questions is “how much should I charge?” Your article reinforced everything I try to explain to my customer/designers. I think most of the information you gave could apply to most areas of beadwork from stringing to beadweaving, also.
I also liked how you broke down the percentage of price points. That’s another big question I hear – “I’m doing a show next month, how much inventory do I need?”
With your permission, I’d like to print out the article and share it and/or the link with my designer customers – the fledglings who are not quite confident enough to price their work well.
Thanks for this article!
I have a picture frame that can hold several hundred photos and does a slide show. I do some wire wrapping but mostly chain maille, now that’s time consuming. So I have had pictures of the process, from making the coils, cutting and opening them then the weaving process. This makes the customer realize the time that went into the piece. I also multiply the costs by 3 and the time it takes to make the item.
I agree, don’t give you designs away, I have a couple of pieces that I just kept for myself. One is a bracelet with over 7 troy oz of silver and gold filled, a Japanese weave, that was just too pricy, I love it and wear it all the time.
Great article, something that every newbe needs.
Hi Dale, your classes certainly helped hone my wire wrapping skills, I know my pieces have improved since then. Pricing is tough since all my faceted stones are unique in that they are perfectly cut. Any stone that my husband cuts that is not perfect does not make it to Kathys Kreation.
So pricing is a constant question. The value of the gem from http://www.gemval.com/appraisal.php helps and your advice on dividing inventory by percent seems to be crucial. I have customers who buy my earrings, who I hope will return.
Thanks for sharing that link Kathy!
Hi Dale,
Thank you so much for all the information you share with us. I lived in the Baja for several years (in the winters) on the Sea of Cortez. Each morning I would walk the beach and find the treasures of Sea Glass that had washed up in the tide. I only saved the smooth ones that they say takes 20 years of rolling in the rocks and sand to get to that state. Later, I wondered what to do with it and discovered wire wrapping. I love to create beautiful pieces with this Gift From the Sea. But I do have a problem pricing it as well. It is rare to find now, so I feel that it should be priced higher than some. I have sold it right off my neck a few times! Can you give me an idea on pricing?
Hi Nancy, just last week someone asked about a similar situation, find my answer here: http://wire-sculpture.com/jewelry-making-blog/2900/seaglass-and-seashell-jewelry/ In my opinion, as you mention the glass you find is ‘rare’, I would price it for as much as the market would bear, leaving a bit of room for negotiation.
Great article, thanks! May I ask how I might price an item that uses recycled materials, which are free? For example, taking a cab made from broken china plates with a floral pattern and wire-wrapping it with leftover copper electrical wire, thus turning trash into treasure. Would time used be the only pricing factor?
Ken – in my opinion, No! The time involved is not the only value in a piece such as you describe (which I often make myself). Rather, it is the one-of-a-kind rarity and the story behind the item, that goes with your skills as a wire artist to set such a unique item; this determines the selling price. Personally, I charge whatever I think I can and if it sells fine – if not, well it doesn’t eat a thing.
I truly appreciate the information you provide. The break down on percentages was precisely what I was looking for. In speaking with a few fellow artist, they likewise appreciated the breakdown.
I enjoy reading the tips each day and look forward to them. I am still relatively new to wire work, but find that I really enjoy the art and I know that in time the quality will grow.
When you do price your jewelry it’s important to account for your time and overheads as well as the materials that go into your creations. So many people overlook the true cost of creating their pieces so we put together a quick video here to show how you can price your jewelry without forgetting these important factors;
http://www.wire-sculpture.com/pages/jewelry_software.html
I always read tips on pricing to see if I am “in the ballpark” with accepted pricing. 3x materials and $10.00/hr. is my standard. My worst case scenario is being at a show next to someone who prices ridiculously low. To me that is a sign of low self-esteem and inexperience. With metal prices going through the roof, the newbie who sells precious metal jewelry for less than it would cost for materials is one of my worst nightmares. I just did a show with exactly that scenario this weekend
Hi Dale, It’s not an exaggeration to say your class has changed my life. I was so bored with just beading, now I not only have a new craft in wire wrapping, but I incorporate both styles and find it so rewarding. I have purchased several of your videos, and watch them when I am working , your chatty style makes me feel as if you are right there in the room. Thanks again, I am an avid fan of both wire wrapping and Dale Cougar Armstrong
Sandy, wow – thanks so much! Hearing how I have encouraged people to explore different aspects of their creative side always helps me remember why I do what I do. I wish you all the best with your “wired” beady endeavors and I look forward to working and visiting with you again!
Dale
I really like that you said to not give in when someone is pressuring you to sell at a cheap price. So many people think that since it is made at home that it isn’t worth as much as something in a jewelry store. Then there are people who are just bullies when they buy. They may have a little experience with jewelry then try to downgrade your creations. I just tell them in a not too nice way to leave if you don’t like the price. You might not get a sale but it bolsters your own self esteem and others will respect you for it.
Thank you for sharing your great tips on pricing jewelry. I have a really hard time with the pricing, and have been told recently that I price my items to low.
Thanks