Three Petal Bud and Layered Embellishment

by Judy Larson

Category: Metalwork
Technique(s): Cutting, Butane Torch Techniques
Skill Level: Intermediate

Designing easy-to-make flowers has been on my agenda for the end of the year. When the 2024 Pantone Color of the Year, Peach Fuzz, was announced, I started rummaging through my stash to see if I had anything that was close in color. The only thing I could find was an inexpensive rock pendant which could not be bezel set. While grinding one side down so it would sit flat (I have no lapidary equipment but a coarse grit silicone polisher did the trick), I was thinking about how I could use it, and thinking about spring because it was so cold outside. One thing led to another, and my mind landed on flowers. Although the real flowers have only five petals, this flower is a bit reminiscent of peach blossoms, as well as prairie roses, which grow wild around our home.

Materials

22 Gauge Dead Soft Argentium Silver Sheet - 6 Inches

H19-22SM6

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 1 Inch
Price: $61.68
Gold Club Price: $46.26

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24 Gauge Dead Soft Argentium Silver Sheet - 6 Inches

H19-24SM6

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 1 Inch
Price: $48.95
Gold Club Price: $36.71

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20 Gauge Round Half Hard Argentium .940 Silver Wire

H19-20H

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 1FT
Price: $4.22
Gold Club Price: $3.17

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Silver Filled Bright Beads Seamless (H: 1.0mm) 4mm - Pack of 25

S9-11

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $3.28
Gold Club Price: $2.46

Out of Stock

Silver Filled Bright Beads Seamless (H: 0.9mm) 3mm - Pack of 50

S9-10

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $4.14
Gold Club Price: $3.11

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Silver Filled Bright Beads Seamless (H: 1.5mm) 5mm - Pack of 25

S9-12

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $5.34
Gold Club Price: $4.01

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Tools

Basic Sawing Kit

G15-7

G15-7
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $34.95
Gold Club Price: $26.21

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Steel and Rubber Bench Block 4x4 Inches

G17-44

G17-44
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $29.95
Gold Club Price: $22.46

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Basic Soldering Kit

G15-4

G15-4
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $58.95
Gold Club Price: $44.21

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Silver Solder Paste Medium SS70 - 1/4 T.O.

SOL-822.15

SOL-822.15
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $18.95
Gold Club Price: $14.21

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7 Piece Mini TruStrike Hammer Set with Stand

HAM-520.70

HAM-520.70
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $140.54
Gold Club Price: $105.40

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Small Disc Cutter, 7 Pieces

DAP-400.10

DAP-400.10
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $46.95
Gold Club Price: $35.21

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awl

Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each

French Shears - Curved Shear with Spring

SHR-531.01

SHR-531.01
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $29.97
Gold Club Price: $22.48

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Single 3rd Hand with Tweezer and Base

HOL-165.00

HOL-165.00
Lesson Quantity: 1.00 pieces
Purchase Quantity: 1.00 each
Price: $18.97
Gold Club Price: $14.23

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Instructions

Step 1

Read through the tutorial before starting the project. Follow all safety precautions for the space you are working in as well as all safety precautions pertaining to the tools and supplies you will be using to complete the project. Note: If using sterling silver instead of Argentium, flux the pieces before heating to prevent fire scale.

Enlarge or reduce the templates using the ruler as a guide to scale. Print a set of templates. If using a stone in the finished design, set the stone next to the templates to help make a determination as to which would work best with the finished design idea. See Step 41 to see the size of the large flower, medium leaves, and small bud used in the finished pendant in relation to my hand.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, template

Step 2

The open flower is constructed with two three petal flower layers. The bud is made with one smaller three petal flower shape and a three-leaf sepal shape. Print paper templates for the two three-petal flower shapes, the number of leaves desired, the bud and bud sepal the desired size for each finished metal flower being made. Cut the desired templates out and glue to 24 gauge sheet metal.

Use a saw to cut out the open flower shapes. It is easier to keep the threading hole centered while cutting if it has been cut first with a 1.5mm hole punch in the center of the small bud flower and 3-leaf sepal sections.

Something to keep in mind: The larger the open flower, the thicker the metal should be, especially if being used on a bracelet or cuff. In that case, larger flowers may be best made with 22 gauge sheet metal. If using 24 gauge metal with a larger flower, there should be many more solder contact points between all the parts and the backing to secure the petals to keep them from inadvertently being snagged and pulled or bent away from the piece.

Pro Tip: The flower layers will be easier to assemble correctly later if an ultra-fine point Sharpie marker is used to label the top and bottom petal shapes in the spots shown.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, cut out the petals

Step 3

Steps 3 through 12 are instructions for constructing the open flower. Steps 13 through 21 are instructions for constructing the flower bud. Steps 22 through 27 are instructions for constructing the leaves. The remaining steps are general directions for using the parts in a jewelry piece.

Make a variety of small balled wire or scrap sheet bits to use as the flower center. Flower center option: Use a snap set or tube setting for a CZ that works with your design and color choices as a flower center.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, balled wire center

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, cz center

Step 4

Place the two flower sections on a bench block. Use 3/8"and 1/4" chisels or line stamps to stamp lines on the petals where indicated on the templates.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, stamp lines

Step 5

Use files and sanding pads to refine edges of each piece.

Step 6

Anneal the flower shapes as this will make it easier in the next step to shape the tips of the petals.

Step 7

Use a Mini TruStrike Sharp Designer Hammer to curve the tips and edges of each petal towards the back of each flower shape. The shape and size will not change much.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, curve the tips and edges of the petals

Step 8

Annealing the petal pieces will make it easier to scratch shading grooves in the flower petals in the next step.

Step 9

Use a scratch awl to scratch lines from the flower center to the outside edge of the petal. Densely cover the surface of both three-petal flower sections.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, scratch fine lines on the petals

Step 10

Bend the flower petals up a bit on the bottom three-petal flower shape and a bit more on the top three-petal flower shape. The petals of the top flower shape should NOT touch the bottom flower shape when they are nestled together.

Use a solid ¼" diameter rod to flatten the center area of each Extra-large and Large flower shape and a 3/32" or 1/8" rod on the medium and small flowers-I use aluminum ones, but wooden dowels work very well. When the top flower shape is set on the bottom flower shape, the centers should be flush with each other.

When the flower sections are assembled, the top flower petals should sit between the petals of the lower section. Make any adjustments necessary, making sure the top petals do not touch the lower petals.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, use the end of a punch to flatten the center of the flower

Step 11

Working on a soldering surface, place medium paste solder in the center of the lower flower shape. Press the top flower shape into the paste solder, making sure the petals are positioned between the petals of the lower section. Place medium paste solder in the center of the top three-petal flower. Press the desired flower center embellishment into the solder-see Step 3.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, solder the petals and center balls

Step 12

If making more than one flower at a time, spread them out on a soldering surface. Paste solder bubbles as the flux burns away, making the parts move around. To avoid this, carefully heat around the flower, about a finger width or so away, until the smoke and flames clear. The heat can then be moved over the flower. The solder should flow quickly. Heat around the piece until the solder flows. Immediately remove the heat. Allow the piece to cool naturally.

Step 13

The bud is made with one smaller three-petal flower shape and a three-leaf sepal shape. Use ¼" and 1/8" chisels or line stamps to stamp lines on what will be the outside of the bud petals and what will be the outside of the three-leaf sepal shape where indicated on the templates. Note: Two buds are shown in the process of being made in some of the following photos.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, use chisels to stamp lines

Step 14

Shape the bud petals in the same manner as in Step 7. Use a Mini TruStrike Sharp Designer Hammer to curve the petals toward the stamped side, which will be the outside of the bud.

Step 15

Since both the outside and the inside of the bud are visible, both sides need texture scratching. The bud on the left in the photo shows the outside of the flower bud scratch textured in the same manner as the flower petals in Step 9. The inside of the flower bud, on the right side of the photo, still needs texture scratching.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, texture scratch the petals

Step 16

Aneal the shaped flower bud.

Step 17

With the stamped lines of the bud facing down in a small dapping well, press a small dapping punch by hand into the center of the bud to shape it as shown. Be gentle as hammering the dapping punch could destroy the texturing. Repeat the process with the three-leaf sepal.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, dap the flowers

Step 18

How long a head pin should be is dictated by the design of the piece it will be used in. I made a 3" balled 20 gauge Argentium head pin but ended up cutting quite a bit off-see Step 30-which I then balled and used with the second bud I was making. A balled head pin alone makes a nice bud center. I decided to add a bead to curve and shape the flower petals around. The following round bead sizes can used as bud centers: Small-3mm; Medium-4mm; Large-4 to 5mm.

Slide all the bud sections in order on the head pin. Form the bud around the bead. Shape the sepal tighter if needed.

Step 19

Once all the pieces fit together to your liking, assemble them in order with a bit of medium paste solder between the layers.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, assemble the flower

Step 20

The bead added to the bud stem after the sepal is not necessary. I thought a bead or a small domed bead disk cap added a nice touch. I used a 3mm bead on the small bud. A tiny bit of medium paste solder is all that will be needed between the bead and sepal.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, assembled flower

Step 21

Using a third hand cross lock tweezers, hang the bud assembly above a soldering surface. Heat the bud assembly only until the solder flows. Heating above the bud assembly will melt the stem wire and the weight of the bud will cause it to pull away from and fall off the melted stem. Allow the flower bud and stem to cool before moving it.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, use a third hand to solder

Step 22

Draw a line down the middle of each leaf. Use a Mini TruStrike Sharp Designer Hammer to texture each leaf out from the center line.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, texture the leaves

Step 23

Use a rubber mallet to flatten the textured leaves on a bench block. Cut a length of 20 gauge round wire for each leaf.

Note: I have a stash of different types and sizes of leaves on hand to use when inspiration strikes. Since I do not know how they will be used, they all have long stems, just in case they are need. The wires can be trimmed shorter-Step 29- and the scrap used on replacement leaves in my stash.

Step 24

Working on a soldering surface, place a bit of medium paste solder down the center of each leaf. Press a 20 gauge wire stem into the solder, making sure to let the tip of the wire overhang the tip of the leaf. Heat around the leaf until the solder flows. Allow the pieces to cool naturally.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, solder wire down the center of the leaves

Step 25

Trim the excess wire from tip of each leaf. File and refine each leaf tip so they are no longer sharp.

Step 26

Grasp a leaf along the midrib with a soft jaw pliers. Press the opposite side of the leaf on a bench block. Repeat the process with the other side to shape the leaf.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, shape the leaves

Step 27

Optional: Grasp each end of the leaf shape with soft jaw pliers and twist to give the leaf a more interesting shape.

Step 28

Pickle, and then neutralize the pieces in baking soda water. Rinse, dry, and refine all the pieces using files and sanding pads.

Step 29

Tumble the pieces for several hours. Rinse and dry them before continuing to the design process.

Step 30

Start designing with the parts. Once the general shape of the piece is decided upon, use a pencil to trace an outline on paper just outside the edge of all the parts. Trim excess wire from the bud and leaves until they fit where desired. Assemble the pieces again and make any adjustments in the outline.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, trim leaves and wires to fit

Step 31

Use the paper outline as a guide to cut a sheet metal backing. Texture the back side of the backing, if desired.

Step 32

Since the bail for this pendant was going on the back, easy paste solder would be used there. Because of that, I did not want to use it on the front of the piece. It does work to use the same flow temperature solder in two steps, one right after another, so medium paste solder was used to assemble all the pieces on the backing. Note: The size of this pendant/parts was on the cusp of being too large to get the solder to flow using a Handy Flame torch head on a butane canister. You may find it easier to work with the Medium or Small flower.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, solder elements onto a backplate

Step 33

Once all the pieces are positioned, place the unit on a soldering surface. Heat around the piece until the solder flows. Allow the piece to cool naturally.

Step 34

Trim away excess backing metal.

Step 35

To simulate petals on the backing, use a scratch awl to drag lines into the backing where it shows underneath any flower petals.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, scratch lines into the backplate

Step 36

File and refine the edges.

Step 37

For this pendant, the back was cleaned before the bail sections were added using easy paste solder. The piece was nestled, back side facing up, in pumice and the bail and embellishments soldered in place.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, solder on the bail

Step 38

Pickle and then neutralize the piece in baking soda water.

Step 39

Tumble the piece for several hours.

Step 40

Patina, rinse, and dry the assembly.

Step 41

It is not often that I don't throw a piece back in the tumbler after removing excess patina. However, with the stone having more matte finish, I found I really liked the brushed finish of the metal after using 200 grit sanding pads on the parts. The stone was set in the bezel and the lower flower petal was pressed over the top of the stone.

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, tumble to remove excess patina

Judy Larson's Three Petal Bud and Layered Embellishment - , Metalwork, Cutting, Cutting Tool, Cutters, Butane Torch, Soldering, Solder, finished pendant

Reviews

Judy Larson

My philosophy has always been "I will never live long enough to learn everything I want to learn, go everywhere I want to go and see everything I want to see!" So, what I make and how I create it is always changing and evolving. I was born shortly after WWII to parents who grew up during the Depression. They always had a "we can do it, we can make it" attitude which rubbed off on my two younger brothers and me. My brothers are amazing and can make and do ANYTHING! When I was a little girl, my mother gave me an old carved cigar box, which I cherish, filled with pop beads, wooden beads and yarn for stringing. That was the beginning of my jewelry making journey.

On a visit to the Grand Canyon when I was a young woman, I was fortunate enough to help a Native American silversmith sand cast my first silver bracelet and bezel set a large turquoise nugget on top. I was in love, hook, line and sinker! While working full time and having a family here in northern Minnesota, my artistic endeavors slowed down but never stopped. I am an artist, scrapbooker, seamstress, woodworker and jewelry artisan. Now that I am retired, I am able to indulge in all my hobbies. However, there just never seems to be enough time in the day to do it all, but I try!

I have been teaching community education beginner and intermediate jewelry making classes since my retirement. Many of my students have been bitten so hard by the jewelry making bug that they say I have turned them into monsters-they just can't get enough. Making jewelry, seeing something take shape from small bits and pieces, is so rewarding that I hope it brings out the "monster" in you, too!